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Review from Shire Folk

Production: Review from Shire Folk
Author: Barry Goodman

This is their first full-length duo recording, and it’s well worth the wait. Playing together since 2006, both also work with very successful bands (Tiny Tin Lady and Kerfuffle); on Shadows and Half Light they display their multi-instrumental skills together with considerable songwriting talent.

The opening track, Hunter Man, written and sung by Katriona, is an atmospheric, eerie tale, backed by suitably insistent rhythm and faultlessly sung. So Long, a story of indolent youth, demonstrates Jamie’s expertise for writing tunes that fit his words like a glove, as does Stopped Clock, with its halting rhythm and epic theme of subjection and retribution.

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Review from Tykes’ News

Production: Tykes’ News
Author:  Joe Grint

This CD arrived just in time for review in this edition (an earlier copy addressed to Tykes seems to have been intercepted by fate). The comments here are, therefore, based on rather more limited acquaintance with the material than I would usually bestow. I must admit that the fact that I came to the first listen with a benevolent frame of mind was somewhat reassuring, as I may otherwise have worried that any negative criticism may have been due to haste rather than considered judgement.

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Review from Rock’n’Reel

Production:  Rock’n’Reel
Author:  Oz Hardwick

FIVE STARS ***** Having seen this exciting young duo on a couple of occasions and been suitably impressed, this first full album comes with very high expectations indeed, and I’m pleased to say that it doesn’t disappoint. All but one of the tracks here are self-penned, but traditional influences are worn proudly: Roberts’s ‘I Don’t Want To Say Goodbye’ is given an Irish flavour by the dancing fiddle, whilst Gilmore’s ‘Hunter Man’ – a number one single in a different and better parallel universe – underpins its threatening narrative with a gypsy swing.

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Review from FishRecords.co.uk

Production:  FishRecords.co.uk

While Katriona and Jamie both have other musical projects (notably Tiny Tin Lady and Kerfuffle respectively), they’ve performed as a duo for the past 2 years or so, and this debut album really shows them to be one of the UK’s finest young contemporary folk acts. The album is based around the talents of two fantastic musicians; Jamie is an innovative guitarist who not only plays in a distinctive percussive style but amazingly also adds bass and drum parts too.

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REVIEW FROM FOLK AND ROOTS

Production: Folk and Roots
Author: Allan Wilkinson

I’m still undecided, even after all this time, about which is the most satisfying; to listen to an album by a relative unknown, then once it’s been on the playlist for a good few runs-through and I’ve become accustomed to the sounds within, to then go out and catch the artist live as soon as possible; or whether it’s visa versa, or t’other way round as we like to say around here, I don’t know.

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LIVE AT GEORGE IV, SHEFFIELD

Production: FATEA
Author: Allan Wilkinson

There’s a stark contrast between the facial expressions of both Jamie Roberts and Katriona Gilmore when you see them playing together; Jamie’s intense concentration is evened out by Katriona’s apparent stoicism as each of these young musicians tackle some pretty complex arrangements in often hideously difficult time signatures. Perhaps Jamie’s more pained expression is due to the fact that he is doing the job of two people. In Jamie we have a guitar player and percussionist all rolled into one, two hands doing the work of four.…

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